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UA 1176 Classic Limiter Collection
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The definitive collection of the world’s most famous compressors.
The original Universal Audio 1176 was designed by UA founder M.T. “Bill” Putnam, and represented a major breakthrough in limiter technology. The first compressor featuring solid‑state circuitry and ultra-fast 20 microsecond FET gain reduction, the 1176 is an easy‑to‑use “desert island” compressor that has lent its character and punch to some of the greatest recordings in history.
Upon its release in 2001, UA’s first 1176 plug‑in single‑handedly launched our UAD platform. Extensive end‑to‑end circuit modeling in 2013 captured even more sonic nuance. Now with updated graphics and additional controls, the 1176 Classic Limiter Collection continues its legacy of analog modeling excellence.Track and mix with painstaking emulations of the legendary 1176, the most popular compressor ever made
Choose from three famous versions: Rev A, Rev E, and AE — each with their own sonic attributes
Harness the 1176’s entire electronic path including transformers and FET and transistor amplifiers for colorful distortion
Access “All-Button” or “No Ratio” modes for colorful overdriven textures
Expanded controls for Headroom, Mix, and custom Sidechain Filter for reduced LF pumping
Mix with presets from legendary 1176 users such as Andy Johns, Andrew Scheps, Ed Cherney, and Joe Chiccarelli
Ways to Buy
Buy for your Apollo interface/UAD hardware or get with UAD Spark on subscription.
Buy for Apollo and UAD- •Buy once — no subscription required
- •Runs in realtime with Apollo on Mac and Windows
- •UAD Spark native version included
- •Requires Apollo or UAD hardware
Get with UAD Spark3 Months for 99¢- •Subscribe and save
- •Runs natively on Mac and Windows
- •An evolving collection of UAD plug-ins & instruments
- •No UA hardware required
TAKE A LISTEN
5-Minute UAD Tips
Featuring the 1176 Classic Limiter Plug-In Collection.
A Triple Threat
The 1176 Classic Limiter Plug-In Collection provides three distinct 1176 revisions, representing over 40 years of design iterations to the original 1176. The Rev A “Bluestripe” represents the original Putnam FET limiter design, complete with its higher distortion and unique FET gain amplifier characteristics. The Rev E “Blackface” covers the early '70s Brad Plunkett “LN” (Low Noise) era, with variations including a more linear compression response, transistor gain amplification, and a change to the program dependence. The 1176AE provides UA’s rare 1176 40th Anniversary Edition, complete with exclusive mods — including its lower 2:1 compression ratio.
Classic Compression, Quickly
Using an 1176 is a study in simplicity. Input simultaneously sets compression threshold and the level of the signal entering the 1176; Output sets the final signal level. Attack sets the time it takes the 1176 to respond to incoming signal, while Release sets the time it takes the 1176 to return to its initial level. The VU meter displays the amount of gain reduction (GR) or output level (+4/+8).
Ratio Buttons for Iconic Color
The four Ratio buttons determine the degree of gain reduction — lower ratios for compression, higher ratios for limiting. Disengaging all Ratio buttons disables compression, while continuing to pass signal through the 1176 circuitry, adding unmistakable color. At the request of users, “Multi-Button” combinations possible with the hardware are now attainable in the plug-in — including the famous “All Button” sound.
Added Features for Modern Workflows
Exclusive plug‑in only features lend modern workflows to this classic processor collection. Get quick parallel processing on bass and kick drums with Dry/Wet mix controls, or use the custom Sidechain Filter to tame low‑frequency pumping. Plus, enhanced graphics with improved VU metering bring iconic FET compression into a new age.
“The new 1176s are better for vocals because the old ones are grittier. The new ones are cleaner and just sweeter on tape.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)“ I use the 1176 on everything: vocals, guitars, bass, drums, overheads, and percussion… It’s just such a great workhorse.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)“I always use an 1176 on the insert. It tickles but doesn’t take over... and puts the vocals right up front.”
– Jimmy Douglass (Pharrell, Timbaland, John Legend)“Just when you thought you had all the 1176s you need… The Bluestripe is the perfect aggressive compressor and the 1176AE 2:1 ratio adds a new option for softer smoother compression.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)“As technology marches on, it's great that UA realizes it is possible to revisit some of their classic plug-ins and make them even better than before.”
– Carl Glanville (U2, Billy Joel, Counting Crows)“The 1176 Plug-in Collection excites me the same way the hardware versions did when I started in the biz.”
– David Isaac (Marcus Miller, Luther Vandross, Eric Clapton)“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado (A$AP Rocky, Selena Gomez, Jay-Z)“I'm so impressed with the new 1176 emulation... this plug-in is now equal to its hardware equivalent. Having this many Bluestripes available at once is sick.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)“The UAD 1176 plug-ins go one step further than other emulations in capturing all the crazy things 1176s do — they absolutely remind me of the hardware.”
– Andrew Scheps (Adele, Red Hot Chili Peppers, The Duke Spirit)“The UAD 1176LN is my go-to compressor for bass. It really helps achieve that in-your-face sound!”
– Ariel Borujow (Chromeo, Mac Miller, Madonna)“The UAD 1176 Classic Limiter Collection are definitely go‑to plug‑ins for me.”
– Glenn Rosenstein (Ziggy Marley, U2)Customer Reviews
C. Laroche
November 11, 2022
Great plugin! Incredible sound! A must have for all enthusiasts!!!
Great plugin! Incredible sound! A must have for all enthusiasts!!! Thanks to the whole Universal Audio team for offering us all these products!
Read MoreJ. Lambert
October 10, 2022
They did it right!
I wanted to REALLY give this a test- so, i tried recording my drummer with just one big tube condenser as a room/boom. I don't...
Read MoreT. Kingen
October 6, 2022
So good
The 1176 is a time honored workhorse. I like to use it to capture the peaks after gentle compression with the LA2A or Fairchild. Works great!...
Read MoreA. Brown
September 23, 2022
THIS COLLECTION IS AMAZING
I have the Legacy 1176 Collection and now I have these Babies ! I'll put them to use asap !!
Read MoreA. Ayer
September 22, 2022
Fantastic
The legacy version of the 1176 is great. But it is 100% worth it to upgrade to the full collection.
Read More -
Key Features
Painstaking new emulations of legendary M.T. “Bill” Putnam-designed 1176, the most popular compressor ever made
Includes three famous versions: Rev A, Rev E, and AE — each with their own sonic attributes
Models entire electronic path, including transformers, FET and bipolar transistor amplifiers, for colorful input / output distortion
Accurately models ultra-fast hardware attack time: 20 microseconds to 800 microseconds
New “No Ratio” or Attack “Off” provides popular amplifier-only mode, adding 1176 distortion without compression
All multi-button ratio combinations now available — including “All-Buttons”
Includes Artist Presets from Andy Johns, Andrew Scheps, Carl Glanville, David Isaac, Ed Cherney, Hugo Nicolson, Jacquire King, Joe Chiccarelli, and Vance Powell
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Customer Reviews
1176 Classic Limiter Collection
A. Viktorovich
TOP
he best 1176 that I've heard in plugins.
C. Laroche
Great plugin! Incredible sound! A must have for all enthusiasts!!!
Great plugin! Incredible sound! A must have for all enthusiasts!!! Thanks to the whole Universal Audio team for offering us all these products!
J. Lambert
They did it right!
I wanted to REALLY give this a test- so, i tried recording my drummer with just one big tube condenser as a room/boom.
I don't know that i have ever heard a full drum track sound so clean with single microphone. This is pretty perfect.T. Kingen
So good
The 1176 is a time honored workhorse. I like to use it to capture the peaks after gentle compression with the LA2A or Fairchild. Works great!
A. Brown
THIS COLLECTION IS AMAZING
I have the Legacy 1176 Collection and now I have these Babies ! I'll put them to use asap !!
A. Ayer
Fantastic
The legacy version of the 1176 is great. But it is 100% worth it to upgrade to the full collection.
J. Mendel
Definitely the best 1176 plugins I've used!
Thus far a major improvement over the sound of the legacy versions. They seem to have the punch and power that I'm looking for on drums. Great Stuff! and now its available on UADx! Big plus!!
N. Stolz
Review 1176
It's compressing very well and I like the sound how it compressing. Easy using with just few knoobs
R. Donnelly
UAD email requested review.
The 1176 has been the go to compression for my percussion projects. Cant beat it.
P. Wallin
Really happy with these
Using compressor together with these limiters is so rewarding! Of course they sound great on their own too. I have G-channel Bus compressor and sometimes I end up using one of these instead.
M. Park
Need it every moment
The classic is the best
T. Basso
The best
Congratulations for the excellent work!
A. Mujic
Cool
Works fine!
i. icewalter
so good
amazing!
J. Song
Awesome
Currently using it for all of my rap tracks
Much better than the Waves emulationA. Whittaker
Yes it’s another 76
…but also maybe *still* the best 76 emulation out there so what can you do?
C. Preston
Much better than Waves emulations
UAD make Waves plug-ins seem like toys. Serious tone and control, love these. Thanks!
N. Cifaldi
Classic UA
these are high on the must have desert island plugins list!
M. Bernabel
THE REAL THING
The 1176 and the LA-2A are like Peanut Butter & Jelly. You can't have one without the other. And the 1176 collection is industry standard, as in, it is in every single studio on this planet and you can bet on it. And you know what else? an LA-2A haha.
O. Levi
Bass vocal etc
Just put it on your buss, bass, vocals and your set to go.
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